References To Double Dutch (Jump Rope) In American & British Commercials, Recorded Songs, Television Shows, And Movies

References To Double Dutch (Jump Rope) In American & British Commercials, Recorded Songs, Television Shows, And Movies
Edited by Azizi Powell

This is Part IV of a four part pancocojams series on recreational (street, old school) Double Dutch, with an emphasis on Double Dutch (jump rope) rhymes.

Part IV provides a partial time line of references to Double Dutch in American and British commercials, recorded songs, television shows, and movies. This lists is presented with information and comments.

This post also showcases one of this commercials: Coca Cola Double Dutch. Please help me identify a date for this Coca Cola ad!

Please add to this time line by sharing examples of references to Double Dutch that aren't included in this list. Thanks.

**
Click https://pancocojams.blogspot.com/2017/07/speculation-about-when-why-recreational.html for Part I of this series. Part I presents my thoughts about the reasons for the demise of recreational Double Dutch with or without chanted rhymes. Part I also includes an excerpt from an online article that provides a general overview about recreational Double Dutch, with emphasis on the years that girls were involved in this activity.

In addition, Part I also showcases four YouTube videos of recreational or competitive sports Double Dutch. A video of Malcolm Mclaren's 1983 song "Double Dutch" is also featured in this post, particularly for its visual documentation of Double Dutch sports teams more than for its South African sourced music. Selected comments about Double Dutch from those videos' discussion threads are also included in this post.

**
Click https://pancocojams.blogspot.com/2017/07/excerpt-about-recreational-double-dutch.html for Part II of this series. Part II features an excerpt from the chapter "Double Dutch And Double Cameras: Studying The Transmission Of Culture In An Urban School" by Ann Richman Beresina. This chapter is part of the 1999 book Children's Folklore: A SourceBook edited by Brian Sutton-Smith, Jay Mechling, Thomas W. Johnson, and Felicia McMahon (Utah State University Press, originally published in 1995).

In addition, Part II showcases the 1985/1986 McDonald Double Dutch commercial (which is also featured in Part I) as well as two YouTube videos of "Big Mac" performed as a two person and as a four person hand clap game.

**
Click https://pancocojams.blogspot.com/2017/07/excerpt-about-recreational-double-dutch.html for Part II of this series. Part II features an excerpt from the chapter "Double Dutch And Double Cameras: Studying The Transmission Of Culture In An Urban School" by Ann Richman Beresina. This chapter is part of the 1999 book Children's Folklore: A SourceBook edited by Brian Sutton-Smith, Jay Mechling, Thomas W. Johnson, and Felicia McMahon (Utah State University Press, originally published in 1995).

In addition, Part II showcases the 1985/1986 McDonald Double Dutch commercial (which is also featured in Part I) as well as two YouTube videos of "Big Mac" performed as a two person and as a four person hand clap game.
Part III showcases text (word only) examples of five recreational Double Dutch rhymes and provides comments about those examples, including suggesting probably Hip Hop sources for some of those rhymes.

The words to these rhymes are from Recess Battles: Playing, Fighting, and Storytelling, by Anna R. Beresin (Univ. Press of Mississippi, May 27, 2011).

Comments about the source of certain of these jump rope rhymes and explanations about the meanings of some of the topical references in those rhymes are also included in this post.

****
The content of this post is presented for folkloric, cultural, and recreational purposes.

All copyrights remain with their owners.

Thanks to all those who are mentioned in this post and thank to all those who are quoted in this post.
-snip-
This is part of an ongoing pancocojams series on Double Dutch (jump rope) and jump roping rope in general, particularly as those activities relate to African American females.

Also, click the tags below to find other posts in this series.

****
SHOWCASE VIDEO: Coca Cola Double Dutch 30 sec KOCL 8352 6:1:98 Edge Creative Red Car



TheRedCarChannel, Published on Oct 28, 2015

Coca Cola Double Dutch 30 sec KOCL 8352 6:1:98 Edge Creative Red Car
-snip-
When was this ad first aired? Please add that information in the comment section below so that I can include it in this Double Dutch timeline.

Also please help with the lyrics. Here's my transcription so far (Corrections to this transcription are welcome.)

The bottle is cool
The taste is real
When I drink it down
This is how I feel
The girls alright
This is what I say
C.O.C.A COLA"
-snip-
Later in the commercial, girls say "Coca Cola" faster and faster to match with the jumper's speed jumps.

****
PARTIAL TIME LINE OF REFERENCES TO DOUBLE DUTCH (Jump Rope) IN UNITED STATES & BRITISH COMMERCIALS, RECORDED SONGS, TELEVISION SHOWS, AND MOVIES

[Pancocojams Editor: This entry doesn't include the use of any of the featured songs in electronic games. If you know of any examples of this, please add them. Each British entry is noted as such. All other entries are from the United States.]


1979 - McDonald's (Jump Rope theme) commercial
https://www.youtube.com/watch?v=Up1kh0HF3Oo

jingle:
"McDonald�s knows your Double Dutch is really hard to beat
�cause when your jumping there is something magic with your feet
You�re jumping up and up and up
and we�ll give you a hand
You�re the reason we do it
If anyone can do it McDonalds knows who can."

****
1981 - McDonald`s Chicken McNugget Double Dutch commercial

https://www.youtube.com/watch?v=h_va6kLEIdY

Jingle:
"Down at McDonalds where the arches go
They got Chicken McNuggests
And there hot to go"

****
1981 - Frankie Smith's Funk/old school Hip Hop record "Double Dutch Bus" was first released
Click https://en.wikipedia.org/wiki/Double_Dutch_Bus for information about that song and click https://www.youtube.com/watch?v=fK9hK82r-AM for a YouTube video of that song.

****
1981 - Pick Up Your Feet documentary on Double Dutch
http://mediaburn.org/video/pick-up-your-feet-the-double-dutch-show/
"A sweet, interesting, and enjoyable documentary about a double dutch championship for junior high age kids in New York. The tape featured mainly local kids from Manhattan and the boroughs, but the event drew an international crowd to the Lincoln Center on 6/13/81. We spend time with the teams as they practice and compete and hear about how they train and how they feel about their sport. The tape manages to simultaneously capture all of the tension of the competition and give a personal look at a number of the teams. Blumberg manages to catch the participants at their most raw and emotional moments, like when a 10 (?) year old girl is sobbing uncontrollably like she had just lost a family member. Blumberg asks her what place her team got. They were #1."

****
1983 - [British] Malcom MClarens 1983 single "Double Dutch
https://en.wikipedia.org/wiki/Double_Dutch_(song)
" "Double Dutch" is a 1983 single by Malcolm McLaren. It is taken from his debut album Duck Rock....
"Double Dutch" is the follow-up to his successful debut single, "Buffalo Gals", and reached number 3 on the UK Singles Chart, making it his highest-charting single release... The song concerns the skipping game of the same name, with McLaren's narration mentioning several New York double Dutch troupes by name, notably the Ebonettes, whose name is also used as a chant in the chorus."...
-snip-
Here's an excerpt from https://www.vice.com/en_us/article/nn974m/double-dutchs-forgotten-hip-hop-origins-456 "Double Dutch's Forgotten Hip-Hop Origins" by Lauren Schwartzberg, Mar 31 2015
...."Double dutch's rhyming chants fit with those of the MCs, and the sport demanded a physical dexterity not too far removed from breakdancing. Soon, Blue was showing double dutch to British impresario and musician Malcolm McLaren�he immediately fell in love and wrote a song about the Ebonettes, another New York double dutch team, for his 1983 Duck Rock album. It quickly became McLaren's most popular song, reaching third place on UK singles charts."...
-snip-
Click https://www.youtube.com/watch?v=FZ4jMSCBswY for a YouTube video of this song.

****
1985 - McDonald's "Big Mac" Double Dutch commercial

https://www.youtube.com/watch?v=Uo5DbV0ZKAI

"Big Mac
Fillet of Fish
Quarter Pounder
French Fries
Icy Coke
Sundaes
And apple pies"
-snip-
This is now widely known as a hand clap rhyme "Welcome To McDonalds" . (Note that the hand clap rhyme has added words). Click https://pancocojams.blogspot.com/2012/05/two-mcdonalds-handclap-rhymes-source.html for a pancocojams post on two McDonalds commercials that became hand clap rhymes . That post showcases "Welcome To McDonalds" and "McDonalds Is Your Kind Of Place".

****
1990 -Reebok Double Tongue Double Dutch commercial
https://www.youtube.com/watch?v=3aqqQ_NRYB0

Update July 31, 2017
"Reebox" is a brand of tennis shoe. This commercial is filmed as a video game. There's no jingle/rhyme. main words are "Reebox double tongue". ("Double tongue" refers to the fastener flap on the shoe.)

**
[Update August 2, 2017]
1991 - Double-Dutch Clorox Bleach Commercial, 1991
https://www.youtube.com/watch?v=jjhj7nUvp-w
vintage commercial Published on Jan 12, 2013
"There's only one way to get it Clorox clean." Perhaps, but there's probably a way to cause fewer hours of work for yourself. For instance, here's a laundry-lessening idea: maybe avoid playing double-dutch on a grimy sidewalk while wearing only white socks. There's another little kid wearing orange socks AND a pair of shoes - let's maybe try to emulate that kind of outdoor jumprope fashion behavior."
-snip-
This commercial for a brand name bleach product shows a multiracial group of girls doing double dutch. In includes a jingle about there being "only one way to be Clorox clean".
-end of 8/2/2017 video-

**
[Update: 7/30/2017]
1997- Sister, Sister (television series), episode entitled "Double Dutch" [Season 4, Episode 19]
http://www.imdb.com/title/tt0701710/plotsummary?ref_=tt_ov_pl
"Tia and Tamera enter a double-Dutch contest for a family street fair and Tia overworks Tamera, not letting her see her 'guy' or even telling Tamera the reason why she is so driven. It turns out that after meeting an old childhood bully, Tia became obsessed with finally beating her at something."...

Click https://www.youtube.com/watch?v=TdokT3mzKuI for a clip of that episode that shows "double dutching".
-end of 7/20/2017 update

**
2002 - Missy Elliot' (featuring Ludacris)'s single "Gossip Folks" sampled Frankie Smith�s 1981 record �Double Dutch Bus�

Video: https://www.youtube.com/watch?v=kYKI8tAELXY [Warning: Some of the lyrics in this song are considered to be "dirty".]

****
2003 Hitman Sammy � "Step Daddy" (sampled Frankie Smith�s "Double Dutch Bus")

****
2005 - Xbox 360 TV Commercial - "Jump Rope"
https://www.youtube.com/watch?v=IQdjAukXJgM

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2007 - Jump In!
https://en.wikipedia.org/wiki/Jump_In!
"Jump In! is a 2007 Disney Channel Original Movie, which premiered on January 12, 2007. It was released on Disney Channel UK on April 27, 2007. The film, starring Corbin Bleu and Keke Palmer, revolves around a young boxer, Izzy Daniels (Corbin Bleu), who trains to follow in his father's footsteps by winning the Golden Glove. When his friend, Mary (Keke Palmer), who harbors a secret crush on him, asks him to substitute for a team member in a Double Dutch tournament, then, Izzy discovers his new love for jumping rope and in the meantime, he soon discovers true love in Mary."...

****
2008- Raven-Symone recorded a cover of Frankie Smith's "Double Dutch Bus"

****
2012 - Phineas and Ferb [Disney animated series, "Double Dutch" episode]
https://www.youtube.com/watch?v=aI_RKZgUUbY

-snip-
That episode includes this song:

"Volgen nu!
One dutch, two dutch
Queens of the double dutch
We skip better than you by that much
Watch our feet, our moves are sweet
Our double dutchin' won't be beat
Touwtje springen, wat leuk.
-snip-
"Volgen nu = Dutch for "now follow"
Touwtje springen = Dutch for "jumping rope"
wat leuk = Dutch for "what fun") is often erroneously given as "fast feud".

****
2012 [British] "Maltesers Let Your Lighter Side Out TV Ad Airport
https://www.youtube.com/watch?v=exPHfGsSRao
-snip-
"Maltese" is the brand name for United Kingdom chocolate candy drops. This commercial features
Malcolm NcClaren's "Double Dutch" song.

****
2013 - Wolf Of Wall Street movie includes Malcolm McClaren's Double Dutch song.

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2014 - BET Awards/Pharrell & Missy Elliot performance includes Double Dutch jumping ("double dutching")
http://www.bet.com/video/betawards/2014/performances/pharrell-williams-and-missy-elliott.html
"Pharrell Takes Us to #BaeUniversity With Missy Elliott.

Missy joins Skateboard P for a special mash-up performance of "Come Get It Bae" and her classic "Pass That Dutch."
-snip-
[No other description is given on that page besides that quote.] The inclusion of Double Dutch in that BET televised show is mentioned in the article "Double Dutch's Forgotten Hip-Hop Origins" by Lauren Schwartzberg, Mar 31 2015 whose link is given above.

****
Added July 30, 2017
2014- The Real syndicated television talk show-[Double Dutch segment] Sep 29, 2014
https://www.youtube.com/watch?v=7I0c4OfX6JU
"Tamera Shows Off Her Double Dutch Skills"
-snip-
Tamera Mowry-Housley one of The Real's hosts, was the star of Sister, Sister along with her twin sister Tia. A popular episode of that series was when the sisters jumped in a Double Dutch competition.(1997).

****
2015 - "Double dutching" is included in the Top Five movie about New York
https://en.wikipedia.org/wiki/Top_Five
This is mentioned is in the article "Double Dutch's Forgotten Hip-Hop Origins" by Lauren Schwartzberg, Mar 31 2015 whose link is given above.

****
2015 - Jump! television series on Lifetime channel
http://tvbythenumbers.zap2it.com/network-press-releases/new-series-jump-to-premiere-friday-april-10-on-lifetime/377692/ New Series 'Jump!' to Premiere Friday, April 10 on Lifetime, Steve Baron, March 20, 2015
"via press release:
April - Lifetime�s all-new docu-series Jump!, chronicles the journey of one of the hottest jump rope teams in the country, Floyd-Little Double Dutch (FLDD), as they compete to defend their championship titles. Known as the face of Double Dutch, the team performed at the White House Easter celebration and opened up the 2014 BET Awards with Pharrell and Missy Elliot. Premiering Friday, April 10, at 10pm ET/PT, Jump! provides an inside look at the international competitive event filled with tricks, turns, tears and triumphs, and examines what it really takes to make it as the fiercest team in the country."
-snip-
This one season series showcased Newark, New Jersey's Floyd Little (Double Dutch) team. Click https://www.youtube.com/watch?v=ZVHEcfrCkuI "Jump!: Meet the Floyd Little Double Dutch Team | Lifetime"

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Please add to this timeline. Thanks!

****
This concludes Part IV of this four part pancocojams series on Double Dutch.

Thanks for visiting pancocojams.

Visitor comments are welcome.
Read More

"Juice Juice, Let's Knock Some Boots" & Four Other Recreational Double Dutch Rhymes

"Juice Juice, Let's Knock Some Boots" & Four Other Recreational Double Dutch Rhymes
Edited by Azizi Powell

This is Part III of a four part pancocojams series on recreational (street, old school) Double Dutch, with an emphasis on Double Dutch (jump rope) rhymes.

Part III showcases text (word only) examples of five recreational Double Dutch rhymes and provides comments about those examples, including suggesting probably Hip Hop sources for some of those rhymes.

The words to these rhymes are from Recess Battles: Playing, Fighting, and Storytelling, by Anna R. Beresin (Univ. Press of Mississippi, May 27, 2011).

Comments about the source of certain of these jump rope rhymes and explanations about the meanings of some of the topical references in those rhymes are also included in this post.

**
Click https://pancocojams.blogspot.com/2017/07/speculation-about-when-why-recreational.html for Part I of this series. Part I presents my thoughts about the reasons for the demise of recreational Double Dutch with or without chanted rhymes. Part I also includes an excerpt from an online article that provides a general overview about recreational Double Dutch, with emphasis on the years that girls were involved in this activity.

In addition, Part I also showcases four YouTube videos of recreational or competitive sports Double Dutch. A video of Malcolm Mclaren's 1983 song "Double Dutch" is also featured in this post, particularly for its visual documentation of Double Dutch sports teams more than for its South African sourced music. Selected comments about Double Dutch from those videos' discussion threads are also included in this post.

**
Click https://pancocojams.blogspot.com/2017/07/excerpt-about-recreational-double-dutch.html for Part II of this series. Part II features an excerpt from the chapter "Double Dutch And Double Cameras: Studying The Transmission Of Culture In An Urban School" by Ann Richman Beresina. This chapter is part of the 1999 book Children's Folklore: A SourceBook edited by Brian Sutton-Smith, Jay Mechling, Thomas W. Johnson, and Felicia McMahon (Utah State University Press, originally published in 1995).

In addition, Part II showcases the 1985/1986 McDonald Double Dutch commercial (which is also featured in Part I) as well as two YouTube videos of "Big Mac" performed as a two person and as a four person hand clap game.

**
Click https://pancocojams.blogspot.com/2017/07/references-to-double-dutch-jump-rope-in.html for Part IV of this video. Part IV provides a partial time line of references to Double Dutch in American and British television shows, movies, commercials, and recorded songs.

This post also showcases one of this commercials: Coca Cola Double Dutch.

****
The content of this post is presented for folkloric, cultural, and recreational purposes.

All copyrights remain with their owners.

Thanks to Anna R. Beresin for documenting and sharing these examples. Thanks to all those who contributed the Double Dutch rhymes and other examples of children's rhymes that are included in that book. Thanks also to all others who are quoted in this post.
-snip-
This is part of an ongoing pancocojams series on Double Dutch (jump rope) and jump roping rope in general, particular as those activities relate to African American females.

Also, click the tags below to find other posts in this series.

****
INFORMATION ABOUT THE SOURCE MATERIAL FOR THE DOUBLE DUTCH RHYMES THAT ARE FEATURED IN THIS POST
The words to these rhymes are from Recess Battles: Playing, Fighting, and Storytelling, by Anna R. Beresin (Univ. Press of Mississippi, May 27, 2011).

Here's an excerpt about this book from https://books.google.com/books?id=Wsm-IE3srh4C&dq=Boom+Boom+Tangle&source=gbs_navlinks_s
..."The author [Anna R. Beresin] videotaped and recorded children of the Mill School in Philadelphia from 1991 to 2004 and asked them to offer comments as they watched themselves at play. These sessions in Recess Battles raise questions about adult power and the changing frames of class, race, ethnicity, and gender. The grown-ups� clear misunderstanding of the complexity of children�s play is contrasted with the richness of the children�s folk traditions."...
-snip-
Anne R. Beresin is also the author of the chapter on Double Dutch that is featured in Part II of this pancocojams series.

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SELECTED EXAMPLES OF DOUBLE DUTCH RHYMES
The words to these examples are from https://books.google.com/books?id=Wsm-IE3srh4C&pg=PA91&lpg=PA91&dq=Boom+Boom+Tangle&source=bl&ots=mYDeDwycGK& "Recess Battles: Playing, Fighting, and Storytelling"

These examples are given in alphabetical order and are given without the underlining that was given in the original text for words that are emphasized during the girls' jumping.

Comments about each rhyme are given under that rhyme.

I.
BIG MAC
Big Mac
Fillet Of Fish
Quarter Pounder
French fries
Ice* Coke
Sundae and apple pie
-snip-
*"Ice Coke" is often chanted as "Icy Coke" in hand clap rhymes.

As mentioned in Part II of this series, the rhyme "Big Mac" is very widely performed as a hand clap rhyme in the United States and my sense is that very few children know that it was ever a jump rope rhyme. Instead of the title "Big Mac", I believe that the title "Welcome To McDonalds" is the one that is most often used for this hand clap. That title comes from the introductory words for that hand clap rhyme: "Welcome to McDonalds/may I take your order".

One contributing factor to the popularity of the "Big Mac" jump rope rhyme was probably the fact that it was featured in a 1985 McDonald commercial (https://www.youtube.com/watch?v=Uo5DbV0ZKAI.

For some reason, in the hand clap version the line "and the dish ran away with the spoon" is frequently added to the end of that rhyme.

****
II.
BOOM BOOM TANGLE
Boom boom tangle
tang boom tang
Yo Kenya [jumper�s name] yo
Let me see you do the
MC Hammer she said
Boom boom tangle
tang boom tang
Boom boom tangle
tang boom tang

Yo Kenya yo
Let me see you do the
Bobbie Brown she said
Boom boom tangle
tang boom tang
Boom boom tangle
tang boom tang

Yo Kenya yo
Let me see you do the
Heavy D she said
Boom boom tangle
tang boom tang
Boom boom tangle
tang boom tang

Yo Kenya yo
Let me see you do the
Roger Rabbit she said
Boom boom tangle
tang boom tang
Boom boom tangle
tang boom tang

Yo Kenya yo
Let me see you do the
The Butterfly she said
Boom boom tangle
tang boom tang
Boom boom tangle
tang boom tang

Yo Kenya yo
Let me see you do the
The Honky Tonk she said
Boom boom tangle
tang boom tang
Boom boom tangle
tang boom tang


(1992, 1999)
"When an artist�s name was sung -M.C. Hammer, Bobbie Brown, Heavy D-the girls imitated the artist�s style, moves, gestures. The artists are mixed in with a reference to a movie character, Roger Rabbit, and the butterfly, a creature famous for changing his body"

[page 91, 92 in "Recess Battles: Playing, Fighting, and Storytelling"]
-snip-
Here are some friendly corrections to Anna R. Beresin's explanations for the let me see you do the" portion of this jump rope rhyme:
"MC. Hammer" and "Heavy D" were rappers

"Bobby Brown" was an R&B singer

"Roger Rabbit" was an animated movie character but in African American girls' texts "Roger Rabbit" was the name of a Hip Hop/ R&B dance

"the Butterfly" was the name of a Reggae dance that was very popular with African Americans.
(There are lots of references to "doing the Butterfly" in contemporary (1990s) African American girls' recreational rhymes and cheers).

"the Honky Tonk" was probably the name of a R&B/Hip Hop dance that was popular at that time in the Philadelphia area (although I'm not familiar with that dance).

Also, I wonder if Ms. Beresin meant the following by her transcription:
Boom boom tangle
tang boom tang
Yo Kenya [jumper�s name] yo
Let me see you do the
MC Hammer
she [meaning Kenya said:
Boom boom tangle
tang boom tang
Boom boom tangle
tang boom tang

Yo [another girl's name] yo
Let me see you do the
Bobbie Brown
she [meaning the girl who is named above] said:
Boom boom tangle
tang boom tang
Boom boom tangle
tang boom tang
-snip-
And so on, with each "Yo" ___ "yo" being the name or nickname of another girl in the group.

"Yo" here means "Hey".

It's possible that my interpretation of this rhyme is colored by my interest in foot stomping cheers. However, this rhyme meets the characteristics of those cheers, including the beginning lines "Boom boom tangle".
-snip-
Here's a foot stomping cheer that I collected in the mid 1980s from Pittsburgh, Pennsylvania that is similar to "Boom Boom Tangle":

AH RAH RAH AH BOOM TANG
Group: Ah Rah Rah Ah Boom Tang
Ah Rah Rah Ah Boom Tang
Ah Rah Rah Ah Boom Tang, baby
Ah Rah Rah Ah Boom Tang
Ah Rah Rah Ah Boom Tang
Soloist #1:My name is Tazi
Group: Ah Boom Tang
Soloist # 1:They call me Taz
Group: Ah Boom Tang
Soloist #1: And when they see me
Group: Ah Boom Tang
Soloist #1: They say �Ah Rah Rah
You look good, baby.�
Soloist #2:My name is Jennifer
Group: Ah Boom Tang
Soloist # 2:They call me Jenay
Group: Ah Boom Tang
Soloist #2: And when they see me
Group: Ah Boom Tang
Soloist #2: They say �Ah Rah Rah
Twist it, baby.�

(Repeat entire cheer with new soloist until everyone has had a turn).
-T.M.P. (African American female, from her memories of Pittsburgh, Pennsylvania in the 1980s)

****
-snip-
While "Ah Rah Rah Ah Boom Tang" doesn't refer to dances, there are some other foot stomping cheers that do. Click https://pancocojams.blogspot.com/2016/09/foot-stomping-cheers-alphabetical-list.html to find Page 1 of a pancocojams series on examples of foot stomping cheers. The links to the other pages ion that series are found in that post.

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III.
D.I.S.H. CHOICE
D.I.S.H. choice, do your footsies
D.I.S.H. choice, up the ladder
D.I.S.H. choice do your hopsies
D.I.S.H. choice do your turnsies
1, 2, and 3, and a i, 2, and 3
Hop, i, 2, and 3
Jump, 1, 2, and 3

{At choice* the jumper can do "what she wants")

(1992, 1999)
-snip-

[page 94 in "Recess Battles: Playing, Fighting, and Storytelling"]
-snip-
[Added August 7, 2017]

Here's some information about and another example of the rhyme "D.I.S.H. CHOICE":
"Some Jump Rope Rimes From South Philadelphia" by Roger D. Abrahams in Keystone Folklore Quarterly, Volume 8, Spring Issue 1963, edited by Simon Bronner

page 5
"In the game with two �enders�, there are three standard ways of turning the ropes, �single�, double Dutch�, �Irish or �double Irish� (the same as double-dutch only underhanded and much more difficult). The most common types are the counting games...

[...]


Page 8
D. I.S. H. Choice
This is a jump that allows you to pick which way you want the rope turned. �D� stand for �Double Dutch�, �I� for �Irish�, �S� for single turn, �H� for �hop�, and �choice� is for any of the previous four.
The one you miss on is the one you must do.

D.I. S. H choice
D.I. S. H choice
D.I. S. H choice
H O P, hop
1, 2, 3"

****
IV.
HEY DJ
Hey DJ let's sing that song
Keep a footin'
All night long
Hey DJ let's sing that song
Keep a hoppin'
All night long
Hey DJ let's sing that song
Keep a turnin'
All night long
Hey DJ let's sing that song
Keep a clappin'
All night long
(1992)

The body had to show "endurance" all night long and it had to show style and "get loose". Jumpers had to be disciplined "on time", and flexible ("Do it right").
-snip-
[page 94 in "Recess Battles: Playing, Fighting, and Storytelling"]
-snip-
The Double Dutch rhyme "Hey DJ" undoubtedly has its source in the hit 1984 Hip Hop record with that same title.

From https://en.wikipedia.org/wiki/Hey_DJ
"Hey! DJ" is a song by The World's Famous Supreme Team. Writing is credited to Larry Price (Sedivine the Mastermind) & Ronald Larkins Jr. (Just Allah the Superstar) and it was produced by Stephen Hague. Released on 12" in 1984 on Island Records, there were three mixes included.[1] The song refers with small lyric parts to McLaren & Supreme Team's previous hit, "Buffalo Gals", which the group featured on. "Hey DJ" peaked at number fifteen on the US soul chart.[2]

Click https://www.youtube.com/watch?v=P5D1bgGetRY for a video of that song which includes the words "Keep em dancing all night."

By the way, the word "a" in this example and in most African American vernacular examples is pronounced "ah".

****
V.
JUICE JUICE KNOCK MY BOOTS
Comments about the Double Dutch Rhyme "Juice Juice Knock My Boots"
The African American girls' Double Dutch rhyme "Juice Juice Knock My Boots" has its source in a then popular Hip Hop record.

From https://raphiphop.tuneforums.com/thread_view.php?threadID=476
Posted: 07/06/06 02:29 PM
Author: nittigr
Location: USA-GA
Late 80's/poss Early 90's Hip-Hop/Rap Song....
"There was a song out that may have been called 'Knock some boots' or 'We came here to knock some boots'. Does anyone remember this song or know who sang it? Thanks!"

**
Posted: 12/12/06
Author: njoy2day
Location: Philadelphia

[Reply]
Late 80's/poss Early 90's Hip-Hop/Rap Song....
"The song you're looking for is entitled Knock Some Boots by Sam the Beast. "Feel that juice, time to get loose...we came here to knock some boots." He also made, Knock, Knock. "Knock, knock..who's there...knock,knock who's there...Sam I am." A guy named Scooter that works at a music store in Delaware can get it for you if you're interested. I was on the same quest myself!"

**
Posted: 04/02/08 08:28 PM
Author: nittigr
Location: USA-GA

[Reply]

Late 80's/poss Early 90's Hip-Hop/Rap Song....
"YES>>>YES>>> thats the song by Sam the Beast! I know this reply is late...but I just got another reply from this recently so I thought I'd better leave a response so everyone knows."

Thank you!
-snip-
Note there were other rap songs that were mentioned in that discussion that had the title �knocking books� included the phrase �Knock some boots�., including Candyman �s Knockin' Boots

****
This concludes Part III of this four part pancocojams series on recreational Double Dutch.

Thanks for visiting pancocojams.

Visitor comments are welcome.
Read More

Excerpt About Recreational Double Dutch From The 1999 Book "Children's Folklore: A SourceBook"

Excerpt About Recreational Double Dutch From The 1999 Book "Children's Folklore: A SourceBook"
Edited by Azizi Powell

This is Part II of a four part pancocojams series on recreational (street, old school) Double Dutch, with an emphasis on Double Dutch (jump rope) rhymes.

Part II features an excerpt from the chapter "Double Dutch And Double Cameras: Studying The Transmission Of Culture In An Urban School" by Ann Richman Beresina. This chapter is part of the 1999 book Children's Folklore: A SourceBook edited by Brian Sutton-Smith, Jay Mechling, Thomas W. Johnson, and Felicia McMahon (Utah State University Press, originally published in 1995).

In addition, Part II showcases the 1985/1986 McDonald Double Dutch commercial (which is also featured in Part I) as well as two YouTube videos of "Big Mac" performed as a two person and as a four person hand clap game.

**
Click https://pancocojams.blogspot.com/2017/07/speculation-about-when-why-recreational.html for Part I of this series. Part I presents my thoughts about the reasons for the demise of recreational Double Dutch with or without chanted rhymes. Part I also includes an excerpt from an online article that provides a general overview about recreational Double Dutch, with emphasis on the years that girls were involved in this activity.

In addition, Part I also showcases four YouTube videos of recreational or competitive sports Double Dutch. A video of Malcolm Mclaren's 1983 song "Double Dutch" is also featured in this post, particularly for its visual documentation of Double Dutch sports teams more than for its South African sourced music. Selected comments about Double Dutch from those videos' discussion threads are also included in this post.

**
Click https://pancocojams.blogspot.com/2017/07/juice-juice-lets-knock-some-boots-four.html for Part III of this pancocojams series. Part III showcases text (word only) examples of five recreational Double Dutch rhymes and provides comments about those examples, including suggesting probably Hip Hop sources for some of those rhymes.

The words to these rhymes are from Recess Battles: Playing, Fighting, and Storytelling, by Anna R. Beresin (Univ. Press of Mississippi, 2010).

**
Click https://pancocojams.blogspot.com/2017/07/references-to-double-dutch-jump-rope-in.html for Part IV of this video. Part IV provides a partial time line of references to Double Dutch in American and British television shows, movies, commercials, and recorded songs.

This post also showcases one of this commercials: Coca Cola Double Dutch.

****
The content of this post is presented for folkloric, cultural, and recreational purposes.

All copyrights remain with their owners.

Thanks to Ann Richman Beresin, the author of the excerpt of Children's Folklore: A SourceBook that is quoted in this post. Thanks to all those who contributed the Double Dutch rhymes and other examples of children's rhymes that are included in that book.
-snip-
This is part of an ongoing pancocojams series on Double Dutch (jump rope) and jump roping rope in general, particularly as those activities relate to African American females.

Also, click the tags below to find other posts in this series.

****
EXCERPT:
Chapter 4: Double Dutch And Double Cameras: Studying The Transmission of Culture In An Urban Shool Yard" by Ann Richman Beresin in the 1999 book Children's Folklore: A Sourcebook edited by Brian Sutton-Smith, Jay Mechling, Thomas W. Johnson, Felicia McMahon (Utah State University Press)

http://digitalcommons.usu.edu/cgi/viewcontent.cgi?article=1059&context=usupress_pubs

[page 79]
..."Several games were studied in this larger exploration of the folklore of the 1991-92 Mill School yard [Philadelphia Pennsylvania], including the games of the third- through fifth-grade boys. This paper, however, will serve as a window to the specific game worlds of the double dutch players. (For a complete view of the larger study, which includes handball, folk basketball, hopscotch, step dancing, and play fighting, see Beresin 1993.) Double dutch was perhaps the chief peer-led activity for African American girls at the Mill School, and provided a performance focus for a mobile audience of both girls and boys in the school yard.

DOUBLE DUTCH
A fast-paced, polyrhythmic jump-rope style, double dutch utilizes two ropes, typically turned inwards, egg beater fashion, by two girls who have "the ends," while a single jumper executes specific steps to a specific song or chant. It is almost exclusively an African American girls' tradition in urban Pennsylvania, and has been virtually ignored in the jump-rope literature. There has been so little written on double dutch in the folklore literature, and in the collections of African American folklore, that it could even have been said to be skipped over.

[page 80]
Singing game and street game collections like those of the Opies have described larger game traditions but excluded rope singing. American children's folklore, as in the works of Bronner and Knapp and Knapp, have homogenized the ethnicity of their young experts and have given us only single rope traditions; the African American collections of general folklore have rarely even mentioned the lore of young girls (Kochman 1972; Jackson 1967; Whitten and Szwed 1982). With the exception of Jones's and Hawes's Step It Down (1972) and Black Girls at Play (1975) by Bauman, Eckhardt, and Brady, the games of African American girls have been rendered practically invisible, and these collections have examined only the stepping and clapping forms. Abrahams's Jump-Rope Rhymes: A Dictionary (1969), a text called "the most thorough recent compilation of these (jump rope) rhymes for English-speaking children" (Schwartzman 1978, 36), lists a handful of articles relevant to double dutch, but, with the exception of his own useful 1963 article, all deal with it only in passing.

Even when only a single rope was available-it was typically one brought by a child from home-it was utilized in the style and steps of double dutch. Two girls hold the ends and turn for the girl who is jumping, and often it is expected that one must turn for someone before getting the chance to jump. Occasionally the "double Irish" or "double orange" style of rope turning was observed; that is the term for the turning of the ropes outward, egg beater style. This method was considered more difficult and sometimes occurred by accident when the turners changed direction. More typically, there would be two turners rapidly turning the rope inward, left, right, left, right, swaying rhythmically to the slapping beat as the rope brushed the ground. The jumper would dance the steps associated with the song or rhyme, and a group of singers, ranging from the turners to nonparticipants to would-be participants, would dance a minimal version of the game in place. This was considered both a fun thing to do while you await your turn, as well as a chance to practice the sequence.

The game was competitive, with jumpers vying to be the one who could not only stay in the ropes the longest but could progress the furthest in the particular rhyme. Someone would shout"She got foot" or "She got turn." And one would often hear the cry of "Saved!" or "Saved by one!" meaning that the person shouting had progressed farther than the jumper who had just tripped on the turning rope. Steps were parodied, styles imitated, and occasionally corrected in order to ensure that the jumper did the job
right. Turners could be accused of turning too rapidly, or of intentionally "flicking" the rope to make it more difficult, and high-status jumpers,usually the more skilled fifth and sixth graders, claimed first jumps, while the younger, less experienced players would be the turners. The chance

[page 81]

to jump first, and if one was skilled, stay in the spotlight, was often called long before the game started, in the hallway, in the classroom, or at the end of one round for the round the next recess

[A diagram entitled "Double Dutch Style" is included here.]

Immigrant Chinese and Haitian girls, representing a small minority of this officially racially desegregated school, also occasionally did individual, single jump rope. Two Chinese girls sometimes jumped in two parallel ropes and, in their own ropes, looped circles around each other, sort of a couple
dance while jumping. The Haitian girls sometimes jumped with a second girl in the same small rope, either face to face or back to front. Regardless of form or ethnicity, jump rope was almost always competitive, either by endurance, elaborateness of steps, or frequency of turns.

The European American girls would often be observers of the double dutch games, and on only rare occasions do individual ropes themselves. When they did so they would compete to see which of them could jump the
most times. They would not sing or chant, just count the number of continuous jumping steps. One girl was up to 230 and still jumping. Unlike the African American girls, who stayed in one place or rotated their positions slightly to be out of the bright sun, or the immigrant girls, who stayed in one place with their individual ropes, the European American girls did a running jump rope step and would, one at a time, run around the entire yard counting. Like their hand-clap games, which were also done to numbers or
counting, the European American girls had clearly distilled their games and no longer had an active jump-rope singing tradition at this school. The singing jump rope game, and for that matter the singing hand-clapping game, had become predominantly an African American tradition.

[page 82]

Many double dutch songs included the same sequence of steps or commands: foot, bounce, hop, turn, criss (crossing), clap, with "foot" or "footin" being the basic right, left, right, left running step over the quickly turning ropes. "Bounce" involved a lighter touch of the foot while doing the running step; "hop" a one-footed airborne step. "Turning" and "crissing" involved the most skill and only the most advanced jumpers were able to do those steps. Taisha, a particularly graceful fifth grader, was known to add
turns to all of her steps, in every sequence, just for the challenge of it.

THEMES OF THE JUMP-ROPE TEXTS
Much like the world of themes found in the children's riddling studied by John McDowell (1979), the recorded texts of the rope games were spheres of the African American girls' culture. There were "1,2,3 Halleluya" and "Hey, D. J., let's sing that song," and "Boom Boom Tangle"-a rhyme about rap artists. Plus there were "All in Together," "Hey Consolation, Where Have You Been," "Girlscout, Girlscout, Do Your Duty," "Juice Juice, Let's Knock Some Boots," "D-I-S-H Choice, Do Your Footsies," "Challenge, Challenge
1,2,3," and "Kitty Cat Come, Gonna Be on Time, Cause the School Bell Rings at A Quarter to Nine." But these themes, the ones of religion, region, pop music, of group entry and exit, schooling, and even of plain step display in menu form, were out-shouted by "Big Mac," a commercial for the
McDonald's Corporation.

As Cheyna, a fourth-grade African American girl had said, "Want to hear my favorite?" (Snap fingers on down beat. Accented syllables are capitalized)
Big MAC, Fillet FISH, Quarter POUNDer, French FRIES, Ice COKE,
Milk SHAKE, Foot
Fillet FISH, Quarter POUNDer, French FRIES, Ice COKE, Milk
SHAKE,
BOUNCE
Fillet FISH, Quarter POUNDer, French FRIES, Ice COKE, Milk
Shake,
HOP
Fillet FISH, Quarter POUNDer, French FRIES, Ice COKE, Milk
Shake,
TURN
Fillet FISH, Quarter POUNDer, French FRIES, Ice COKE, Milk
Shake,
CRISS

[page 83]

Big Mac appeared in twenty-three out of fifty-six live unrequested recordings of double dutch chants, closely followed by a follow-the-Ieader game, "Challenge Challenge, One, Two, Three." This contrasted with the rest of the active repetoire, of which two or three versions were recorded of each. First observed in mid-October, "Big Mac," and its occasional partner "Challenge Challenge," were the only chants jumped at recess until February. Most of the other rhymes did not appear at all until April. "Big Mac" represented forty percent of all the songs sung for double dutch, with "Challenge Challenge" representing thirty percent.The remainder totaled three to six percent, tallying another thirty percent. "Big Mac" was therefore not only the first jump-rope rhyme to appear in the school yard and not only the most
frequently jumped, but, as we will see, also the one used for learning how to play the game of double dutch itself.

Collectors of jump-rope games have typically emphasized the antiquity of the games and rhymes, in part because of the archive methodology available, as discussed, and in part because of the inherent romance in finding things old. Paradoxically, the most significant rhyme for the players of this game was the newest one, invented by the McDonald's Corporation as a menu chant. Again and again the local jump-rope experts-the third, fourth-, and fifth-grade girls-claimed that the "Big Mac" rhyme was commercial and
approximately ten years old, but that the game was learned from their mothers and sisters. The dating of this particular chant was confirmed by the national public-relations office of the McDonald's Corporation, which indicated that the menu chants are periodically placed in local papers as part of a contest. It is significant that McDonald's has been a national sponsor of double dutch competitions since the late 1970s and that the only other long commercial text that emerged was in an interview setting: This was
"R-E-E-B-O-K do your footsies the Reebok way." Reebok is also a national sponsor of double dutch competitions.All of the new attempts at double dutch recorded in the school yard were done to the "Big Mac" rhyme. When Isha, a fifth-grade expert jumper, was asked what was the easiest rhyme, she answered, "Challenge Challenge," because "you just had to imitate what was done before you." When asked why the younger girls and the ones new to double dutch started with "Big Mac," she answered, "Because they don't have nothing else." Commercial culture is, for the kids of the school yard, the most basic of common culture. The commercial is easily learned: It's short, it's quick, and it's "fun in the mouth." Children who are bused in from all sections of the city know it, and children from all economic levels have access to it. It may have been introduced by the corporate-sponsored leagues and ad campaigns and may be a future classic example of the "invention of tradition" (Hobsbawm and Ranger 1983), but it would not have continued if it did not serve some function.....

[more excerpt text added to this post as of August 4, 2017]

The sound bytes of "Big Mac" may well serve to speed up the ritualization of entry into the game in a recess period that allows only fifteen minutes for play in this city.

In an environment where raw materials are inaccessible and consistently removed from the play time, it appears that the African American children from poorer neighborhoods, rich with oral traditions, are teaching non-African American children what can be done, as Isha says, "when you don't hanve nothing else". This is especially true of the play of girls, which is especially repressed in the school yard by the institution of school itself. Here it is commercial culture that is the common denominator, both within the ethnic tradition and across ethnic traditions.

One of the most relevant texts on this topic is Newell's 1883 book Games And Songs Of American Children. His essays "The Inventiveness Of Children" and "The Conservatism Of Children" address the dynamics inherent in the play study, the idea of play being both traditional and transitional, and the idea that children reconstruct and reinvent performances relevant to their complex lives. The key word is "relevant". Valuable things are reused, recycled and retold. And, as we will see, the repetition of the commercial rhyme may be fixed, but the variation and frequency of the game can be found in the foot work. In a sense, the folklorist begins with the text, but cannot stop there."...
-end of text added to this post on August 4, 2017
-snip-
The words given in italics in brackets were added by me for informational purposes or to note the exclusion of a diagram that is part of that chapter.

[Explanation added August 4, 2017] "European American" in this excerpt means the same thing as "White American". Note that although Europeans are traditionally White, there were/are people who were/are born in Europe who aren't White.
-end of this addition-

The term "step dancing" and "stepping" in this chapter might be the same performance art that I refer to as "foot stomping cheers". I doubt that those terms refer to historically Black Greek letter fraternity and sorority steppin'.

The words given in capital letters (except for "foot") in the "Big Mac" example are movement instructions. "Criss" is probably the same movement what is commonly known known as "criss cross" ("crossing one foot over another.)

With regard to the rhyme "Big Mac": That rhyme is very widely performed as a hand clap rhyme in the United States and my sense is that very few children know that it was ever a jump rope rhyme. Instead of the title "Big Mac", I believe that the title "Welcome To McDonalds" is the one that is most often used for this hand clap. That title comes from the introductory words for that hand clap rhyme: "Welcome to McDonalds/may I take your order".

For some reason, in the hand clap version the line "and the dish ran away with the spoon" is frequently added to the end of that rhyme.

The words for some of the Double Dutch rhymes that are mentioned in this chapter excerpt are given in Part III of this pancocojams series.

****
SHOWCASE VIDEOS

Video Example #1: VINTAGE 80'S MCDONALD'S DOUBLE DUTCH COMMERCIAL [1985/1986]



-snip-
This video featured the world champion Fantastic Four double-dutch team. Unfortunately, as a result of this commercial, that team was disqualified from competing any longer in Double Dutch sport competitions, a consequence I gather the team wasn't aware of before agreeing to be featured in this ad

****
Video Example #2: Mcdonalds hand game



Barbym1991 Published on May 15, 2009

old hand game my mom and aunt taught us!! Enjoy!

****
Video Example #3: McDonald's Hand Clap Game




Vinnie Kandis, Published on Nov 1, 2015
-snip-
In this example, "Big Mac" is combined with other stand alone rhymes.

****

This concludes Part II of this four part pancocojams series on recreational Double Dutch.

Thanks for visiting pancocojams.

Visitor comments are welcome.
Read More

Speculation About When & Why Recreational Double Dutch Became A Lost Art

Speculation About When & Why Recreational Double Dutch Became A Lost Art
Edited by Azizi Powell

This is Part I of a four part pancocojams series on recreational (street, old school) Double Dutch, with an emphasis on Double Dutch (jump rope) rhymes.

Part I presents my thoughts about the reasons for the demise of recreational Double Dutch with or without chanted rhymes. Part I also includes an excerpt from an online article that provides a general overview about recreational Double Dutch, with emphasis on the years that girls were involved in this activity.

In addition, Part I also showcases four YouTube videos of recreational or competitive sports Double Dutch. A video of Malcolm Mclaren's 1983 song "Double Dutch" is also featured in this post, particularly for its visual documentation of Double Dutch sports teams more than for its South African sourced music. Selected comments about Double Dutch from those videos' discussion threads are also included in this post.

**
Click https://pancocojams.blogspot.com/2017/07/excerpt-about-recreational-double-dutch.html for Part II of this series. Part II features an excerpt from the chapter "Double Dutch And Double Cameras: Studying The Transmission Of Culture In An Urban School" by Ann Richman Beresina. This chapter is part of the 1999 book Children's Folklore: A SourceBook edited by Brian Sutton-Smith, Jay Mechling, Thomas W. Johnson, and Felicia McMahon (Utah State University Press, originally published in 1995).

In addition, Part II showcases the 1985/1986 McDonald Double Dutch commercial (which is also featured in Part I) as well as two YouTube videos of "Big Mac" performed as a two person and as a four person hand clap game.

**
Click https://pancocojams.blogspot.com/2017/07/juice-juice-lets-knock-some-boots-four.html for Part III of this pancocojams series. Part III showcases text (word only) examples of five recreational Double Dutch rhymes and provides comments about those examples, including suggesting probably Hip Hop sources for some of those rhymes.

The words to these rhymes are from Recess Battles: Playing, Fighting, and Storytelling, by Anna R. Beresin (Univ. Press of Mississippi, May 27, 2011).

**
Click https://pancocojams.blogspot.com/2017/07/references-to-double-dutch-jump-rope-in.html for Part IV of this video. Part IV provides a partial time line of references to Double Dutch in American and British television shows, movies, commercials, and recorded songs.

This post also showcases one of these commercials: Coca Cola Double Dutch.

****
The content of this post is presented for folkloric, cultural, and recreational purposes.

All copyrights remain with their owners.

Thanks to all the Double Dutch teams that are featured in the videos that are embedded in this post. Thanks also to all who are quoted in this post and thanks to the publishers of these videos.

Hat tip to author David Whiteis who alerted me to this July 26, 2017 New York Times article on Double Dutch: https://www.nytimes.com/2017/07/25/arts/double-dutch-lincoln-center.html and asked "When did the spoken/sung rhyming begin to fade from street/sidewalk Double Dutch?"

This four part pancocojams series is part of the results of the online research that I did, prompted by David Whiteis' question. I read various articles and a number of YouTube discussion threads about Double Dutch, searching for dates and other demographics that they might give some information about when recreational Double Dutch was popular, when its popularity began to fade, and whether children's initiated recreational Double Dutch even exists anymore.

As I noted below, largely as a result of that online reading, I don't think that there is any one definite date that rhyming became disassociated with Double Dutch. But in reading about recreational Double Dutch, I realized that it wasn't just rhyming while doing Double Dutch that has largely disappeared, but also recreational Double Dutch jumping itself. And, based on my experiences in Pittsburgh, Pennsylvania from 1969 to now (2017), I would also say far fewer African American girls (and maybe also girls of other races and ethnicities in the United States engage in recreational single rope (group) jump rope jumping than they did when I was growing up in New Jersey during the 1950s.
-snip-
This is part of an ongoing pancocojams series on Double Dutch (jump rope) and jump roping rope in general, particularly as those activities relate to African American females.

Also, click the tags below to find other posts in this series.

****
PANCOCOJAMS EDITOR'S COMMENTS
Disclaimer:
I've done no formal research on this subject. These are my own comments and they may not agree with the conclusions that were reached in the article excerpted below or in other articles or books about Double Dutch in the United States.

WHEN DID RECREATIONAL DOUBLE DUTCH BECOME A LOST ART
The overarching premise in this pancocojams series on recreational Double Dutch is that recreational (street/playground) Double Dutch* is a lost art, or an activity that is in severe danger of being lost. These conclusions are based on my experiences as an African American female, as well as my online and offline reading. Furthermore, I believe that the recreational Double Dutch performed without chanting lasted longer than the performance of Double Dutch which includes chanted rhymes.

I don't believe that any definite date can be pinpointed as to when recreational Double Dutch itself and/or recreational Double Dutch with rhymes chanted ended in the United States. There's documentation that indicates that during the 1940s-1960s Double Dutch was very widely performed as a recreational activity by some (but not all) African American girls in various parts of the United States. My guess is that Double Dutch with rhyme chanting began to disappear at different times in different places. By at least the 1980s, group jump rope (with one rope) also grew out of favor by African American girls and other American girls and was largely replaced by the hand clap games. From my experiences and my reading I believe that by the late 1990s in most African American communities recreational Double Dutch was largely a thing of the past. I also think that recreational Double Dutch jumping without chanted rhymes probably lasted longer than recreational Double Dutch jumping with rhymes.

That said, it's likely that there may be places where girls still do recreational Double Dutch with or without rhyme chanting. However, I think that it's an indisputable fact that far fewer African American girls perform Double Dutch -or even group jump rope (with one rope) in the 2000s compared with the 1940s to the 1990s.

*Note that by "recreational Double Dutch" I mean Double Dutch jumping that is children initiated (almost always girls, and also predominately African American girls) as a recreational activity during school recess, and as pastimes after school and in the summer months etc. "Children initiated" is in contrast to adult initiated recreational Double Dutch that is taught to and/or otherwise experienced by children at community centers, school gym classes, summer camps, etc.

Recreational Double Dutch is similar but not the same as the competitive sport of Double Dutch. One clear difference between these two activities is that rhyme chanting was an important feature of recreational Double Dutch, but no chanting occurs in the Double Dutch sport. Notice that the Wikipedia article for Double Dutch https://en.wikipedia.org/wiki/Double_Dutch_(jump_rope) makes no mention whatsoever about rhyme chanting.

****
WHY DID RECREATIONAL DOUBLE DUTCH BECOME A LOST ART
These points are numbered, but are given in no particular order. I refer to "African American girls" in some of these points since recreational Double Dutch is most closely associated with that population in the United States.

Here's why I think recreational Double Dutch in particular, and perhaps also group jump rope (with one rope), are lost arts or dying arts:
1. The lack of outdoor, open spaces in urban areas.

Double Dutch needs large open spaces. There's documentation that Double Dutch was often performed in urban streets, but increased urbanization made/makes this performance space unsafe and inoperable.

Modern playgrounds and school yards are no longer open spaces, but have built in sliding boards, swings, jungle gyms etc. The presence of these built in recreational structures means that Double Dutch can't be performed in those playgrounds.

**
2. In order to play Double Dutch specifically (and jump rope in general, you need to have two (or one)
jump ropes. Contrast that with hand clap rhymes [point #4] and foot stomping cheers [point #5] which can be performed without purchasing or otherwise acquiring any materials.

In the 1950s, I recall using cut clotheslines for individual jump rope or for single (group) jump rope. However, clotheslines aren't as readily available nowadays since hanging washed clothes to dry outside or in the basement is seldom if ever done anymore. Clotheslines are still available for sale, but that doesn't mean that people would buy them for the purpose of jumping rope. For that matter, plastic jump ropes for individual jumping are also available for purchase, but those jump ropes are often of poor quality even if they're long enough for Double Dutch.

Telephone wires or cable wires are mentioned by several commenters on YouTube discussion threads of videos about the sport of Double Dutch as the preferred "rope" for jumping Double Dutch. Girls got these materials from parents, relatives, or family friends who worked in those companies. However, given the changes in those industries and dearth of people who have land line telephones and cable in their homes, those materials aren't available any longer to be used as Double Dutch ropes.

**
3. Schools, community centers, etc often prohibit Double Dutch specifically or jump rope in general in their facilities or on their grounds for safety and security reasons.

Children playing Double Dutch (and, to a lesser extent, group (single) jump rope and/or children in the vicinity of such play could get hurt. These institutions don't want to be liable for any injuries that might occur.

**
4. Other recreational activities have replaced Double Dutch jumping and jump rope in general.

Beginning in the 1970s, if not earlier, two person, four person, and -less often- three person hand clap games have become the main informal recreational activity that African American girls (ages 5-12 years) engage in. Many formerly jump rope rhymes are now known as hand clap rhymes were formerly performed as jump rope (and ball bouncing) rhymes. In addition to hand clap games to the point that many people aren't even aware that these rhymes earlier accompanied individual or group (single) jump rope and/or Double Dutch jump rope.

Mildly competitive hand slap games (such as "Slap Billy Ola" ("Stella Ella Ola") and "Down By The Banks Of The Hanky Panky") have also replaced Double Dutch and other jump rope games while chanting a specific rhyme.

Hand clap games need very little performance space and hand slap games don't usually need as large a performance space as Double Dutch. Also, in contrast with Double Dutch specifically or any form of jump rope activity, hand clap games and hand slap games don't need any objects in order to engage in those activities.

Foot stomping cheers (also referred to as "steps") is another informal recreational activity that has replaced Double Dutch among African American girls. That recreational activity is performed either indoor or outdoor while chanting specific rhymes. Three advantages that foot stomping has over "Double Dutching" is that it doesn't need as much space as Double Dutch, there are no health concerns associated with that movement activity, and it's much easier to learn how to perform than Double Dutch rope turning and Double Dutch jumping.

Other informal or informal physical recreational activities such as formal cheerleading (either stomp & shake cheerleading or mainstream cheerleading or a combination of both), Hip Hop majorette (j-setting), and/or organized team sports. Some of these activities need smaller performance or practice spaces than Double Dutch.

African American girls may also perform children initiated contemporary group circle games such as "Little Sally Walker Was Walking Down The Street" and "Ride That Pony" instead of playing Double Dutch.

**
5. In the United States, instead of being involved in informal or formal recreational movement activities, a large number of children spend a considerable amount of their leisure time watching television, using the internet for game playing, and for engaging with others on social media. In addition, many children and pre-teens use personal cell phones for texting, and other activities including making and exchanging self-made videos.

-snip-
[Update- Added July 30, 2017] Here's another reason for the demise of recreational Double Dutch as given in https://www.vice.com/en_us/article/nn974m/double-dutchs-forgotten-hip-hop-origins-456 Double Dutch's Forgotten Hip-Hop Origins
"In an even broader sense, as crime in New York reached its highest rates in the late 1980s and video games entered the picture, fewer children were interested in playing together on the street. "Kids don't even want to play outside anymore," Nicki laments." ["Nicki" is identified as Adrienne "Nicki" Howell, a member of the award winning Fantastic Four (Double Dutch team; featured in two McDonald ads.)]
-end of Update-
[Update Added July 30. 2017]
As a result of reading some comments in a discussion thread of a Double Dutch video that I just came across, it occurs to me that television shows/movies about Double Dutch that aired in the 1990s and 2000s could have revived short lived or longer interest in "double dutching". Here are those comments , followed by my note:

The Real syndicated television talk show-[Double Dutch segment] Sep 29, 2014
https://www.youtube.com/watch?v=7I0c4OfX6JU
"Tamera Shows Off Her Double Dutch Skills"
-snip-
Tamera Mowry-Housley one of The Real's hosts, was the star of Sister, Sister along with her twin sister Tia. A popular episode of that series was when the sisters jumped in a Double Dutch competition.(1997).

**
MrThekidisback, 2015
Girls don't even double dutch anyone, I remember in the hood girls use to always do that.

**
Reply
DanceMomsLover#1#1, 2015
"+MrThekidisback Yes they do! There is actually a show about it on Lifetime and yes It is good"
-snip-
The 2015 television series Jump! showcased Newark, New Jersey's Floyd Little (Double Dutch Team). The series wasn't renewed after its first season.

**
Reply
MrThekidisback, 2015
"+DanceMomsLover#1#1 Nah I know there are girls who do but you don't see it as much anymore."

**
Boss At Home, 2017
"5th grade when Jump In first premiered on Disney, this was the thing ever one was doing at recess."
-snip-
The Floyd Little team compete in the sport of Double Dutch. That's not the same type of Double Dutch that was performed "back in the day" before there were national and international Double Dutch competitions.

As a matter of fact, the 2007 Disney Channel movie Jump In! also centered around a Double Dutch sports competition. At one point in that movie, the female members of that team along with their male team member went to the "hood" and saw some "street" double dutchers performing intricate moves which inspired them to improve their routine.

These television shows/movies are listed the Double Dutch timeline (Part IV of this pancocojams series.)
-end of update-

****
BRIEF EXCERPT ABOUT THE HISTORY OF DOUBLE DUTCH IN THE UNITED STATES
From http://www.jumpropeinstitute.com/history.htm
"JUMP ROPE HISTORY

Past and Present

....�Early Dutch settlers were some of the first jump ropers in America. Not surprisingly, one of the more popular jumping games is called "Double Dutch."

In the early 1940s and 1950s, jump rope became tremendously popular, and many children in inner cities used jumping rope as a form of play. It only required a rope, and anyone could play. From the late 1950s until the 1970s, however, jump rope history took a back seat to radio and television as it started to captivate the minds of your children.

In the 1970s, an increased interest in physical fitness and overall health emerged. Programs started promoting jump roping to keep kids from other unhealthy activities. To make it enjoyable and entertaining for kids jump roping events were organized"...

****
SHOWCASE VIDEOs
Example #1: VINTAGE 80'S MCDONALD'S DOUBLE DUTCH COMMERCIAL [1985]



-snip-
This video featured the world champion Fantastic Four double-dutch team. Unfortunately, as a result of this commercial, that team was disqualified from competing any longer in Double Dutch sport competitions, a consequence I gather the team wasn't aware of before agreeing to be featured in this ad.

The chanted rhyme, known as "Big Mac", was written by the McDonald Corporation to promote their menu. This is the most famous of three McDonalds commercials that were centered around recreational Double Dutch. The other two commercials were aired in 1979 and 1981. Nowadays, "Big Mac" [most commonly known as "Welcome To McDonalds"] is a very popular partner hand clap rhyme and it's likely that few children know that it was once chanted as a jump rope rhyme.

Here are some selected comments from this video's discussion thread (Numbers are assigned for referencing purposes only) :
1.MsTexas73, 2011
"@sugarrrsmack Me too, I was NEVER that good. but I sure tried. But we did double dutch to this same McDonald's song back in the day. Seeing this makes me kinda miss the EARLY 80s."
-snip-
This is clearly response to a comment from �sugarrrsmack:�, but no such comment is included in that discussion thread.

**
2.Delores Finlayson, 2012
"Wow! Its been years since we filmed this commercial. We were the first to open many doors in the sport. I would like to see more kids get out there and have fun jumping Double Dutch."

**
3. Tani, 2015
"see yall are a new generation in the 90's we would take double dutch life LIFE! We would jump so long that we would run out of songs...lol! We would do this for hours and then wake up and do it again...our favorite ropes were a phone line doubled...if you got hit with it it would really hurt but we were so good that it rarely happened...lol! I really miss those days!"

**
4. Kyra Gaunt, Ph.D., 2013
"Double dutch is one of three types of musical play that most urban kids in predominately black settings were first exposed to in early childhood. The black public sphere was dominated by these games for the very young and carried popular songs and dance to them -- like their own popular broadcasting system -- where there was no adult supervision. It was orally and kinetically passed down -- by word of mouth and body and girls were the primary agents while boys tended to rap and dance.
-snip-
Dr. Kyra Gaunt is author of the award winning 2006 book The Games Black Girls Play
Learning the Ropes from Double-Dutch to Hip-Hop
. https://nyupress.org/books/9780814731208/.

Notice that Dr. Gaunt wrote "The black public sphere was dominated by these games."...

**
Reply
5. Salsasha Salsasha, 2017
"I had a feeling that double dutch skipping was originally part of black culture until it became mainstream. Not to take away the enjoyment of anyone that likes skipping. Thank you for your informative post."

****
Example #2: DOUBLE DUTCH DIVAS" CENTRAL PARK SEPT 16/07 7 PM



Will D, Published on Sep 17, 2007

The Double Dutch Divas appear every Sunday at 7 pm from the beginning of July thru the 2-3rd week of September. Located just yards downtown beside the skater's circle in Central Park, right beside the skater's after-party.

Website: doubledutchdivas.com

Double Dutch a sport in which one person jumps rope with two ropes and one or more people jumping simultaneously.

Playing Double Dutch involves at least three people total: one or more jumping and two turning the ropes. A person jumping usually does tricks that may involve gymnastics or breakdancing, it can also have fancy foot movements incorporated. Young people, including many boys, do this for fitness and it is competed at world level. Competitions in double-dutch were often seen at block parties.

During the very early years of hip hop culture, double-dutch was an element of the culture (popularized in the song Double Dutch Bus). After hip hop began moving towards the mainstream in the early 1980s, double-dutch fell out of favor as a recognized element of hip hop, although it remains popular with athletes to this day.

Double Dutch Bus was a 1981 funk song by Frankie Smith, made famous for its extensive use of the "izz" infix form of slang. The song title represents a portmanteau of two institutions in Smith's Philadelphia neighborhood: the double dutch game of jump rope played by neighborhood kids, and the SEPTA bus system that was a backbone of the local transportation network (and for which Smith had unsuccessfully applied for a bus driving position). Smith persuaded contacts at WMOT Records to finance the song, and it was recorded in summer 1981, engineered by Gene Leone. The song rocketed to popularity in a matter of weeks, landing on the Billboard Top 40 charts on July 11, 1981.

The language that they use to speak in, is often used by rapper Snoop Dog, and has been referred to as "Double Dutch". Speaking Double Dutch would be to add "izz" or "illz" to the middle of words. Thus the phrase "We all play Double Dutch" becomes "Willze aillzll plizzay Dizzouble Dizzutch" in the song.
This song was famously sampled in Missy Elliot's 2003 single "Gossip Folks."

History:

The Dutch settlers brought the game to the Hudson River trading town of New Amsterdam (now New York City). When the English arrived and saw the children playing their game, they called it Double Dutch. The game has since grown over the years, particularly in urban areas. It became a favorite pastime to sing rhymes while turning and jumping. During World War II, the game was often played on the sidewalks of New York. By the late 1950s the radio music boom dominated urban America and the lack of recreational areas in close proximity to apartment buildings had made the game nearly extinct.

In 1973, David A. Walker, then a New York City Police Community Affairs Detective, joined by his partner Detective Ulysses Williams, developed the street game of Double Dutch into the World Class Sport that it is today. With the assistance of the physical education instructors at IS 10, Walker and Williams revitalized the game by developing it into a competitive team sport. On February 14, 1974, the first Double Dutch tournament was held with nearly 600 fifth, sixth, seventh and eight grade students participating.
-end of that video summary-

Here are some selected comments from this video's discussion thread (Numbers are assigned for referencing purposes only):
1. Str8isis, 2008
"Me too! Reminded me of being in the Bronx with my cousins double-dutching in the middle of the street! Thamx RevInk.

THOSE WERE THE DAYS!!! Exercise at its finest!?"

**
2. RevolutionaryINK, 2008
"Wow!!! I remember those days when all the females uesed to double dutch!!! These sisters still got it!!! That's what I'm talking about!?"

**
3. Jacco Van W, 2010
"Whahaaaaaaa this is friggin great LOL when i was younger in holland allmost all girls did it but this is realy something else,, i mean,, I am dutch, but im not gunna do this double whaha................... great movie, made me smile 5/5?"

**
4. DonnyMacG, 2010
"I'm in NewYork next month, do the diva's still perform,? I wouldn't mind a go at this myself as I missed it in the late 70's?"

**
5. GraciaKowi, 2010
"i can double dutch wayy better!! I'm like the only person in my school that does double dutching LOL! I did the soulja boy dance while jumping once!?"

**
7. Danielle Jackson, 2011
"I miss double dutch in new york..ppl in atl dnt know to to double dutch."

**
8. Arnell Monroe Mack, 2013
"I remember me being the only boy doing double dutch with the girls. It was so much fun. Good Ol' days."

**
9. XxUmbrella123x, 2014
"Me and my friends used to do this in the playground as kids haha XD?"

**
10. Andrea Long, 2015
"I miss jump roping

**
Reply
11. jdstep97, 2015
"+Andrea Long You? I'm 48 and would love to get out and double Dutch but all the young people want to stay inside playing games on their iPhones or other devices, and the older ones are falling apart."

**
12. Finnesse da King, 2015
"Yall Look Like Yall Having Fun .. Out There That's How My Family Gatherings Be" ?

**
13. Kathy Dragoo, 2016
"Excellent! This was very popular back in the 50's & 60's too. Guess I'm an ex-diva!"

**
14. Selma Janet Fox McGoram. 2017
"I used to love doing this when I was at Primary school, in the 1950s."

****
Example #3: Malcolm Mclaren Presents Double Dutch.wmv



MalcolmMclarenMusic Published on Apr 11, 2011

This is one of the better known tracks from Mr Malcolm Mclaren from his ground-breaking album Duck Rock.Nothing new here now but at the time it was, as usual with MM ahead of it's time.27 years later it still sounds as good today as when I first heard it.Enjoy...
-snip-
Here are some selected comments from this video's discussion thread. (Numbers are assigned for referencing purposes only.)
1. paul nutt, 2013
"my mother told me that when she was a girl this was called french skipping"

**
2. Lynne Christie, 2013
"i would love to take part in a class like that at school!!! why can't we do that now!!!! i think kids would love it!"

**
3. TheRegalEagle2014, 2014
"I wonder if Double Dutch championships still exist. Remember watching this as a kid and asking for (and getting) a skipping rope."

**
4.emichels ,2014
"Double dutch, skelly, or skellzy, NYC in 1983 was the place to be!! Please God tell me I'm not the only one who remembers skelly or victory!!"

**
5. Robert Ascii, 2016
"Love this song and the video. Vintage double dutch"

**
6. Gabby Cattell, 2016
"its very sad but todays kids just wanna stay on there ipads etc etc those were the days"

**
Reply
7. Becka3456, 2016
"That's quite ironic because you're saying that kids these days all want to stay on electronics but instead of you getting off your phone or computer your writing that other people should get off.... Don't get me wrong, I agree with you but just remember not everyone from my generation want to stay in electronics all the time."

**
8. Panatella, 2016
"No iPhones. Just smiles :-)"

**
Reply
9. Sailing S/V Harley Quinn Essex, UK, 2017
"Panatella Yep can imagine now all the girls round outside would be standing still immersed in their phones. Always said the internet would destroy society"

**
10. David Harrison, 2017
"when this came out i was home on shore leave . my mam who was not a spring chicken was in the garden teaching the kids how to do it . she learned when she was a little girl in the early 1940s ! i laughed so much great times ."

****
Example #4: Double Dutch Championships



theitemdotcom, Published on Jun 17, 2011

The 38th Annual Double Dutch World Championships were held in Sumter, SC June 17-18.
-snip-
Here are a few comments from this video's discussion thread. (Numbers are assigned for referencing purposes only.)

1. 23Fulani, 2015
"Makes me remember how fun childhood was in the 80's and 90's!"

**
Reply
2. ORDOTRIO, 2016
"+23Fulani I went to school in Atlanta in the 80's. This was every day at recess."

**
Reply
3. CzarJuliusIII, 2016
"Even in the early 2000s I saw girls play doubledutch at recess."

**
4. amycello, 2016
"Growing up in Brooklyn, NY in the late 1940s I clearly remember watching with awe and amazement, young black girls doing incredible double dutch rope skipping in the street. In those days of de-facto segregation, the white neighborhood and black neighborhood were divided by one street. These were the days before play dates and scripted after school activities. We were regularly sent out to the street to play where we spent many unsupervised hours. We would often stand on the street that was the dividing line and watch the (mostly) girls our age (7 to about 13 years old) doing their amazing double dutch routines with the greatest of ease. No one on the white side of the dividing line ever attempted this sport. We wouldn't even have known how to begin."

****
This concludes Part I of this four part series on recreational Double Dutch.

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Visitor comments are welcome.
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Yvonne Chaka Chaka - Mamaland (information, video, comments)

Yvonne Chaka Chaka - Mamaland (information, video, comments)
Edited by Azizi Powell

This pancocojams post showcases a video of 1990s song "Mamaland" by South African singer Yvonne Chaka Chaka.

Information about Yvonne Chaka Chaka is included in the summary of this video.

Selected comments from this video's discussion thread are included in this post.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Yvonne Chaka Chaka for her musical legacy and thanks to all those who are quoted in this post. Thanks also to the publisher of this video on YouTube.

****
SHOWCASE VIDEO: Yvonne Chacka chacka � Mamaland



yaz oshea Published on Mar 10, 2011

Yvonne has been on the forefront of South African music for over 15 years and still going strong.

Yvonne Chaka Chaka is always spinning gold. In 1985, when she was only 19 years old, Phil Hollis of Dephon Records discovered her in Johannesburg. Soon after she was introduced to record producers Rick Wolfe and Attie van Wyk. Her debut album "I'm in Love With a DJ" was released. It became tremendous hit.

Songs like "I'm burning Up" |"I'm in Love With a DJ"| "I Cry for Freedom" |"Makoti" |"Motherland" and the ever-popular, "Umqombothi" immediately insured Yvonne's status as star in South Africa music scene. Continuing to release hit after hit, her subsequent award winning albums were : "Burning Up" |"Sangoma" |"Who's The Boss" "Motherland" |" Be Proud to be African"| "Thank You Mr DJ" |"Back on my Feet"|"Rhythm of Life" |"Who's got the Power" |"The Best Of Yvonne Chaka Chaka" |"Bombani ( Tiko Rahini)| "Power of Afrika"|"Yvonne and Friends" and "Kwenzenjani"..

For her artistic achievement Yvonne has won the "Ngomo Award" (the "Grand Prix Pan African de la Chanson" in Zaire), as well as the "FNB/SAMA Awards" for the best female singer. Yvonne has also worked with noted producers Sello 'Chicco' Twala and Gabi LeRoux. The African Music Encyclopedia says of Yvonne, "Chaka-Chaka's powerful alto voice, along with her finely-crafted and arranged material, account for her wide popularity."
-snip-
Statistics (as of July 27, 2017 at 8:07 AM)
total views: 1,418,900
likes: 3,420 ; dislikes: 257
total # of comments: 556

****
SELECTED COMMENTS FROM THIS VIDEO'S DISCUSSION THREAD
These selected comments document commenters' high opinions of Yvonne Chaka Chaka and this song.

These selected comments also are a small sample of the expressions of affection that commenters wrote about their own African nation as well as expressions of a desire for African unity. In addition, these selected comments demonstrate the wide reach of recorded music from a specific African nation throughout the entire African continent.

Numbers are assigned for referencing purposes only.

2013
1. Chica Delarosa
"I Love my Mamaland Congo/Afrika"

**
2. Kweku Takyi-Annan
"Africa/Ghana"

****
2014
3. lord isaac
"This song give me power when i hear it.....because i remember where i come frome, i really miss you mama Africa... for Africa forever..!!!!!!!!!!!!!"

**
4. Anna Andreas
"I am born free ,but i am great fan of old school .BIG FAN OF IVONNE CHAKA CHAKA LOVE FROM NAMIBIA."

**
5. Sydonia3 years ago
My grandma had the entire VHS of all her songs! This was all that played in our house. 1997, good times

****
2015
6. abdiaziz ahmed osman
"southafrica people dont respect othere african people they kill them naglet them they forget there fredome were give by othere african country shame to south african people i heat them"
-snip-
"Heat" here is a typo for "hate".

**
Reply
7. Solomon Modisha, 2016
"+abdiaziz ahmed osman please don't "heat" us man, not all South Africans are xenophobic.come to the Madiba land you will see."

**
Reply
8. raan chol, 2016
"+Solomon Modisha I know majority of South African people are good people who love Africa and their African brothers and sisters. When the apartheid was being practiced, all African people were supporting brothers and sister from South Africa but the incident that happened in South Africa by killing other Africa is big embarrassment and betrayal to all Africa people in this world."

**
9. Gabriel Komango
"my land.... TANGANYIKA / TANZANIA"

**
10. Shell Winchester
"mama land �frica, my first mama i really miss you, and i love you so much... �fricaaaaaaaaaaaaaaaaaaaaa... Angolaaa!!!"

**
11. Vidakon Jemusse
"Chokwe at Gaza, South of Mozambique,.... Makweniu wa Maxangane..... Peace From Mozambique"

**
12. Ismael Botan
"My mamaland somalia africa am proud to be african where our culture teach us to respect the old and the young ones am realy proud of whom i am"

**
13. hlaloso moreri
"my mamaland-Botswana/Africa"

**
14. M.S K
"Zambia? Africa Mamaland"

**
15. Evans Machera
"A celebratory song by African greatest song bird."

**
16. Silver Back
"One Love mama Africa. From S.Leone Westside Africa."

**
17. thadmans
"Africa is indeed our mamaland. Travelled from Kenya to RSA in June for the first time and still felt that I was still at home."

**
18. Bint Mohammed
"Ethiopia , Africa mamaland"

**
19. Martila Omba
"I luv my mamaland Congo DRC/Zambia"

****
2016
20. Nona Ford
"This song reminds me of those turn up weddings and parties!"

**
21. Chol Akuany
"My Mamaland Africa, Yvone Chacka Chacka has said it all. Stop fighting yourselves my people. Why is this tribal division among some Africans tribes? South Sudan, Dinka and Nuer used to inter-marry and did barter trade with one another until the money came along which in turn made some individuals like Riek Machar lust for even more. The 1991 & 2013 episodes are just examples. Greed is dividing my people and blinding them from realizing the truth. And what is the truth? There is no truth when you pick up a gun and kill innocent people. To the peaceful African nations, I thank you for being there for Africa, our Mamaland"

**
Reply
22. ntege samuel, 2017
"Chol Akuany
Also i wish S. Sudan people can wake up & stop murdering Ugandans like insects. We have taken you in as refugees & no one has been killed in here by a Ugandan. I the same way you should treat us well. Stop hooliganism its not the way to go in this modern era. If Ugandans werent good to you then you wdnt have come in here. Ugandan are peaceful & hospitable....& so should be you S. Sudanese. Treat us well...we sell food to you not because there no other markets but we know you are a desert helpless country. Finally we wish you well S.Sudan no matter how you kill us in your land."

**
23. Loice Mukandi
"Oh yes my mama land lots of love from Zimbabwe"

**
24. Jossey Kibebe
"you are such amazing lady,queen of africa i like the song truely africa is our mother land,it is our home and we are home to stay,lets practice peace,love and unity to our mother land God bless africa"

**
25. GLORIA 256
"Am from Uganda and I love Africa ma mama land God bless South Africans the freedom fighters ??????????"

**
26. Social Streaming
"Stop killing, stop killing, it's our motherland Africa, very iconic music!"

27. Baba Theo Chriss
"Am Tanzanian my mamaland country. proud to be African.."

**
28. Daniel Boateng
"Her songs really contributed South Africa freedom. Big up Yvonne"

**
29. Givemore Chiguvare
"YAAAH wenever i go to a NEW AFRICAN PLACE I PLAY THIS ONE."

**
30. migxgy
"Always played this song at parties"

**
31. morenikespring #apple
"these were our beyonces"

**
32. Rufus J. Kerkulah
"From Gbarnga, Bong County, Liberia to South Africa with love."

**
33. Kenny Chukwu
"In character, in manner, in style, in all the things, the supreme excellence is simplicity. Like all magnificent things, she is an epitome of beauty and class. #Naija."

**
34. Jacob Paulo
"my thanks giving from Angola, love this song so much Chaka"

**
35. thamsanqa nyathi
"I waz young by then in rural areas listening to radio 2 before it waz named radio Zimbabwe,gne are the day's"

**
36. BE8Y LUBEGA
"I miss my mama land, just thought of Chaka Chaka one of the music icons of the 90s. Missing you Africa..."

**
37. Annah Makhoshi
"I am happy to be at African. I'm coming from Ghana I love south Africa it make me happy here"

**
38. Kbc Construction
"the time wen she was young looking good that we fighting apartheid in Namibia remind me my fellow whose gone with war"

**
39. samantha gloria
"Kbc Construction She still looks good,watched her on BBC hard talk one day ago"

**
40. jimmy heguye
"?? l should give huge all Mother in Village!??&dance with them??My heart fired to Mother land home village! l feel so much to them!"

**
41. rumbie portia
"My roots are here in Africa....nyc song"
-snip-
�nyc song� = �nice song� and not New York City song

**
42. Regina Drescher
"Those were the good old days were no internet or mobile existed,millenials will never know how good it felt. Thank you Yvonne,you have no idea how many hearts you changed during your time.I give thanks to you..Thank you princess of Africa"

**
43. Femme Fatale
"yvonne chaka chaka in ZA�RE ??"

**
44. Bertin Ngindu
"So proud to be an African...my mamaland Tanzania/DRC"

**
45. Sidiki Fofana
"I am not from sudafrika but I love it realy all afrika are brothers"

****
2017
46. Charles Lotara
"Those were more than just musicians but were iconic freedom fighters through their songs! You made us proud of our motherland, we love you, we love Africa!"

**
48. James Ndula
"Yvonne was actually asking African countries to stop fighting and unite to become one, unfortunately that didn't happen"

**
49. Gabriel Mandlenkosi Vundla
"africa start from cape town to cairo,so all countries which are in this continent must get united not fight,nigerians are my brothers,zimbabweans are my sisters,so stop fighting guys"

**
50. polycap orina
"produced at the height of Racism...I listened to this as a kid,And will still bomb to hit"

**
51. stephen mugisha
"mam land so great,am Rwanda and proud to be so, i love ur music!!!"

**
52. Chris Tifana chikafa Tifana
"Yoh! aunt you suppose to continue singing please, i like all your songs maam"

**
53. Sebongile Nkachela Baggio
"my mamaland a better land, my home town. before cell phones take over"

**
54. Julius Chacha
"I remember those days 1992 when my uncles used to play kinanda."

**
55. jiya jalaqsan
"I love my motherland in somali"

**
56. Onasis Kanika Since88
"Am from Zambia Africa is my motherland let's not kill each other Africa unite. One love brothers and sisters"

**
57. Mula chain
"I am proud to be Congolese (DRC)"

**
58. ispm quartoano
"sory abaut my inglish im Mozambican. I love this song i rember my infacnc 7 year s old mamaland from Yvone .i never forget you."

**
59. Gisele Belole
"part of the video done in Kinshasa -Za�re (DRC)"

**
60. Vannuge Jiiko
"I remember this song when I was young back in Malawi I feel so emotional now I miss you mama land the warm heart of Africa"

**
61. Vhuramai Chimbindi
"its true this Africa is our mama land why are we fighting for. lets not divide our selves"

**
62. maikano Rabe
"You contributed a lot in saving south Africa from the apartheid ruling. Great and tremendous zulu voice. It me remembered Dabezitao un Chakra zulu movie."

**
63. james pa92
"Childhood jam!!!"

**
64. Tracy Justice
"my mama land Tanzania, proud to be Tanzanian watching from the USA"

**
65. Lucy Leopold
"i real mic my home town my mama land Tanzania...from sweden"

**
66. JDOUG757
"being a black american, I envy u guys so much. we don't know where we are from. we are so lost...MAMA AFRICA I LOVE YOU!!! I MISS U!!!"

**
67. Willy Kabuya EL GANADOR
"i love africa proud To be congolese. my land"

**
68. Vivi Cruz
"Hi, I'm Cape Verdean, I love this rhythm, how I wanted to understand the lyrics, Kisses"

**
Reply
69. Tonny Okello
"Ni we nakupenda , ni we Mamaland - It a swahili phrase that translates literally : It is you I love, it is you my motherland."

**
70. Lionel Pessi Aka El Vomito
"BURUNDI forever"

**
71. mike koechner
"my mama land Kenya. watching from Doha Qatar. I miss my home Africa..."

**
72. OMBENI MIHWELA
"i love and i proud with african mucian who was sing the song of liberazation"

****
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